Halloween: What Happens When Race, Insensitivity and Humor Smash Into Each Other

earl douglas

In this so-called ‘post-racial’ era, Halloween has become a new forum to push the envelope matters pertaining to race, free speech, and being funny, or what we think is funny. We’ve seen the images of the Ray Rice costume – complete with black face and a jersey dragging around a black female doll made to resemble his wife Janay. We’ve seen the image of someone dressed as a bullet ridden Trayvon Martin. We’ve seen the Halloween front yard featuring trees with lynched effigys. I’m pretty sure that an image of a Michael Brown, Darren Wilson or Eric ray riceGarner ‘costume’ will surface online in the next news cycle. Now usually, I would let this slide, because– while its in my opinion, silly, not to mention highly tasteless and insensitive– this is America and you have the fundamental, not to mention Constitutional right to be tasteless. Let’s face it: Comedy, to quote the classic Steve Martin album, isn’t pretty. Never has, never will be. It’s part of its DNA and in the right context, hits a home run every time.

However….  I find it, let’s just say, ‘interesting’, that in all of these recent instances, all of these pieces of Halloween performance art have had white people presenting black pain from the perspective of the aggressor and not the victim. That, in and of itself, is remarkably telling. I can understand why Grey’s Anatomy star Jesse Williams – who has put his money where his mouth is as far as being in the front lines in Ferguson during the Michael Brown protests – went ballistic on Twitter about it. He had good reason to do so: He didn’t just report on protestors getting denied their Constitutional rights, he experienced it. Imagine being Janay Rice or family members of Trayvon Martin, Michael Brown or Eric Garner. They are still mourning and processing how their lives have been completed flipped upside down – on a global stage, no less. Do you think they are ready to have their pain make into a cheesy Halloween costume (complete with black face) and have that go viral?

trayvonFor those ready to jump on the ‘It’s only a joke’ bus, think about this: Would you NOT be outraged if a person of color made a costume or designed their front yard mocking the 9/11 attacks, the death of a cop while on duty, the Oklahoma City or Boston Marathon bombings from the point of view of the attackers?

When dealing with matters that cross the lines between race and comedy, I always refer to my all-time favorite comedy, Blazing Saddles. It was crude, crass, racially insensitive and tasteless. But it was also extraordinarily subversive, sensitive and respectful to its subject matter, laugh out loud funny and above everything else, one of the smartest comedies ever made.

So if you want to make a tasteless or racially insensitive costume and go viral with it, be my guest. It’s your right. But just remember that what is your joke is based on someone’s pain. If you’re called out on it, be honest and open in your defense. We have the right to offer different viewpoints too.

For those who celebrate, have a happy and safe Halloween.

 

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Earl Douglas is a writer/photographer based in New York City. A frequent contributor to The Interrobang, Earl is also Executive Director for the New York chapter of The Black Rock Coalition. Earl worked in radio for nearly two decades at WNEW-FM and XM Satellite Radio, which included being the on-air producer for Carol Miller, Scott Muni and Ron & Fez, and a contributor to Opie & Anthony. Earl has also independently published a number of books including Black Rock Volume 1, Urban Abyss, Mobile Uploads, and For Shimmy. His latest project is the photojournalism magazine PRAXIS, which is available exclusively through Blurb.com.
Earl Douglas
Earl Douglas
Earl Douglas is a writer/photographer based in New York City. A frequent contributor to The Interrobang, Earl is also Executive Director for the New York chapter of The Black Rock Coalition. Earl worked in radio for nearly two decades at WNEW-FM and XM Satellite Radio, which included being the on-air producer for Carol Miller, Scott Muni and Ron & Fez, and a contributor to Opie & Anthony. Earl has also independently published a number of books including Black Rock Volume 1, Urban Abyss, Mobile Uploads, and For Shimmy. His latest project is the photojournalism magazine PRAXIS, which is available exclusively through Blurb.com.